ChanShatz's ongoing collaboration reveals itself in the destination; recipients and systems of new media production.

ChanShatz's ongoing collaboration reveals itself in the destination; recipients and systems of new media production. Engaging multiple adjoining matters their dialogue exemplifies the emerging see the verb of the database as an evolving cultural form. by the agency of creating traceable histories for their schemes and installations they make visible the chronology and lineage of their reproductive practice.

* The Diaries--To map the collaborative existence of ChanSchatz. We have recorded all of our conversations since we met in 1985 These writings exist beyond the opportunity of traditional projects, forming part of our neural network of interconnected informational rules There is no literal biographical record of our interaction. Ours is a post-evolutionary practice where it is not the fittest idea that survives, on the other hand the informational mass that is generated through the exchange. In this way the individual is not denigrated at a selective process, but rather supported by the continued genesis of activity.

* The Proces and Methodology of Formmaking--Forms differ and the chronology mirrors different emphases, but the focus remains the same. The arrangement of our project is what gives it continuity. We worn out our first five years together developing a collaborative voice. This seminal work formed the basis for establishing a joint trajectory for our artistic practice and formalized about of the issues and adjoining matters surrounding the collaborative process.

* The Series Lineage Drawings--Circular, nonlinear or chronological, all efforts contribute to the existence of a whole. however any part of The Proces may originate in objects, projects and artifacts, the series have always focused upon externalizing our ongoing exchange. Occupying various characters through the fluidity of the texture allows for the continual advent of fresh processes, directions and proposals.

Our collaboration is 1985 touchstones, montage acetates, proces drawings, seating, intentions tables, lighting, storage units, figure-pieces, studies 1986 Kurasakl drawings, s compositions, tapestries, flags, posters, wall murals, parts fountains, marks, tilings 1987 balustrades & gates, grille diptychs, scarves, layer paintings, dinnerware, horizon paintings, social forms paintings, grilles 1988 vinyl chisels catalogs, roller paintings, relief paintings, proces videos, stage studies, altar pieces, grille chisels bijoux 1989 frisket paintings, altarpiece paintings, composite proces chisels grille pavers, arena catalogs, boxe proces pieces, production pieces 1990 public art, subject drawings, silhouettes, series lineage drawings, glass paintings, genie drawings, mirror paintings, etchings 1991 work covers, installations, screen paintings, bottoms vases, faberges, chandeliers, tassels, frames, rings, earrings 1992 chalices, candelabra, pitchers, glass containers, swords & knives, haircombs, hand mirrors, hats, glasses, handbags, sandals & strip of leathers 1993 secrets of life drawings, crosse plant suspensions, discs, stickers, chocolates, art offices, pop-up constructions, universals 1994 board games, animation studies, process sculptures, necklaces, chains, clasps, bracelets, belts, curls broaches, compacts 1995 clocks, watches, flacons, ikebana, pistols, spears, maces, axes, helmets, breastplates, shields, champfron, coffee machines 1996 mixers & blender cameras, musical instruments, logo typography, diary videos, performances, movies, fabrics 1997 genome bioinformatics, wwwcom garments, documentaries, immersives 1998 scores, screenplays, assortment of typess inventions, scarves, process sculptu re trademarks, buildings, digital classification productions 1999 manufactured products, commercials, multimaterial architectural accessories, places of production 2000 interactive design module multimedia architectural accessories, multiversals and ChanSchatz[TM].

ERIC HEATHER CHAN SCHATZ are artists set forthed by Basilico Fine Arts and faculty in the Visual Arts and Digital Media Center at Columbia University. popularly they are part of "The Production of Production" at Apex Art CR just discovered York City.

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